CIV 111-41, Fall 2009
UNIFIED
COMPOSITION AND WESTERN CIVILIZATION
Dr.
Philip Jones (pdj@bradley.edu)
Bradley
Hall 336-C
CLASS
SCHEDULE
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W 26 Aug |
Introduction |
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F 28 Aug |
Writing Discussion |
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M 31 Aug |
Ancient |
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Tu 1 Sep |
Movie: House of Sand and Fog |
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125 Bradley 7:30 PM |
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W 2 Sep |
Ancient |
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F 4 Sep |
Hellenic Arts |
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M 7 Sep |
Discussion of House of Sand and Fog |
First Paper due |
Explain how House of Sand and Fog is or is not a tragedy in both the Aristotelian sense and the traditional Greek sense. |
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W 9 Sep |
Seminar 1 |
1. What aspects of Lysistrata are timeless and what are peculiarly Hellenic? |
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F 11 Sep |
Seminar 2 |
2. Is Antigone better seen as an Aristotelian or traditional tragedy? |
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M 14 Sep |
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W 16 Sep |
Seminar 3 |
3. Should Epictetus' message be classified as religious or philosophical? |
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F 18 Sep |
Seminar 4 |
4. Does this discussion of friendship, etc support the contention that we are like the Romans? |
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M 21 Sep |
Roman Arts |
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W 23 Sep |
Seminar 5 |
5. Did the Gracchi have admirable motives? Why did they fail as reformers? |
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F 25 Sep |
EXAM 1 |
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M 28 Sep |
Christianity |
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W 30 Sep |
Seminar 6 |
6. If Jesus' Sermon on the Mount defines Christianity, is Western Civilization really a Christian culture? |
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F 2 Oct |
The Crusades |
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M 5 Oct |
Seminar 7 |
7.. Which argument is most convincing about the nature of Jesus? Does his nature matter? |
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W 7 Oct |
The Norman Conquest |
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FALL BREAK |
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W 14 Oct |
Seminar 8 |
8. Should our sympathies lie with Becket or Henry II? |
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F 16 Oct |
Seminar 9 |
9. . Could the English make a good case for their execution of Joan of Arc as a witch? |
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M 19 Oct |
Medieval Politics |
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W 21 Oct |
Seminar 10 |
10. What may be discerned from Anna Comnena's description of the Crusaders about the Byzantine attitude toward them? |
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F 23 Oct |
Seminar 11 |
11. Was Hildegard a traitor to her sex or merely a woman of her time? |
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M 26 Oct |
EXAM 2 |
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W 28 Oct |
Seminar 12 |
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12. How well do the actions of Richard and Saladin support their images as ideal Medieval monarchs? |
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F 30 Oct |
Seminar 13 |
13. What does the story of King John and Richard Nixon tell us about the art of politics? Is historical analogy like this legitimate? |
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M 2 Nov |
Medieval Society |
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W 4 Nov |
Seminar 14 |
14. Why were Machiavelli's ideas so controversial? "Machiavellian" implies immoral; is that connotation fair? |
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F 6 Nov |
Seminar 15 |
15. Does the Decameron seem more a Medieval or Renaissance document? |
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M 9 Nov |
Renaissance |
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W 11 Nov |
Seminar 16 |
16. Is The Merchant of Venice a plea for tolerance? |
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F 13 Nov |
Seminar 17 |
17. What Renaissance characteristics are evident in The Merchant of Venice? |
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M 16 Nov |
Renaissance Culture |
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T 17 Nov |
Movie: Girl with the Pearl Earring |
Neumiller
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How well does The Girl With the Pearl Earring reflect social conditions of the time? What are its major characteristics as a movie? |
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W 18 Nov |
Reformation |
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F 20 Nov |
Seminar 18 |
18 . What connection does this conversation show between the Renaissance and Reformation? |
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M 23 Nov |
English Reformation |
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THANKSGIVING BREAK |
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M 30 Nov |
Holiday Lecture |
Paper due |
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W 2 Dec |
Seminar 19 |
19 How many tragic heroes are in King Lear? |
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F 4 Dec |
Seminar 20 |
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20. Does King Lear celebrate rationalism or attack it? |
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M 7 Dec |
Conclusion |
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TEXTS FOR CIV
111
Western
Civilization from the Ancient Greeks to 1600,
I. COURSE DESCRIPTION. CIV 111-112 is
a two-semester sequence which introduces students to the major periods and
movements of Western Civilization and to the principles of effective writing. The
course integrates writing assignments into the processes of historical
analysis. CIV 111 must be completed before the student takes CIV 112. Upon
successful completion of both courses, the student will have completed the
General Education requirements for Western Civilization and for 3 hours of the
Basic Skills Composition Requirement.
II. OBJECTIVES. CIV 111-112 combines
the objectives of ENG 101 and CIV 100. The course
1. gives students an
understanding of the present age and what it owes to the past by demonstrating
movement through the historical periods of Western
Civilization; and
2. prepares the
students to communicate effectively in writing during their college careers.
Specifically, students will
a. learn to write accurately, clearly, and effectively;
b. achieve an acceptable level of competence in
grammar, punctuation, and mechanics;
c. complete all the stages of the writing process
successfully;
d. execute the major forms of expository writing
effectively;
e. demonstrate an acceptable degree of competence in
research techniques;
f. learn a structured method of historical analysis;
g. acquire a broad-based understanding of the present
age's evolution from the past.
IV. EVALUATION AND POLICIES
1. The course grade in CIV 111 will be based
on an average of the following components:
3 Exams 30%
2 Papers 20%
1 Seminar Paper 20%
Average of Critiques 10%
Weekly
comments 10%
Quizzes/Exercises 10%
2. The hour tests will consist of in-class
essays.
3. Seminar papers are to be revised within
ONE WEEK. The grade on the revision will be
the grade for the assignment.
4. Attendance is mandatory.
Assignments are due on the dates in the schedule, unless
otherwise announced.
5. Plagiarism (the misrepresentation
of other people's work as if it were your own) is cheating. For.
THE
SEMINAR: PAPER, CRITIQUES, AND DISCUSSION
The general purpose of the seminar days in
CIV 111-112 is to create student-centered "conversation" about the
issues and themes of Western Civilization and the writing process. Each Seminar
Session is centered upon the seminar paper. The writers provide the students in
their section with copies of the papers so that they can read them and write
critiques of them. Then on the seminar day, the students discuss the papers and
their issues.
I. DIRECTIONS FOR WRITING THE SEMINAR PAPERS
1. As a student in these courses, you will
choose (or be assigned) a seminar topic, and will be expected to
prepare as fully as possible for writing your paper (usually
by reading the course texts, perhaps
consulting a dictionary or reference book and talking with
instructor).
2. You should also limit the scope of your
treatment so that your discussion is focused upon your thesis, and
you should define the key terms as you see fit (although
you may consult with your instructor as much as
you need).
3. Your paper should have a title, be
approximately 600-750 words long. For documentation, use the MLA style of
parenthetical references
4. Procedure:
a. Meet with your instructor as early as
possible to discuss your approach to the paper.
b. Send your paper to the rest of your
section over e-mail at least 48 hours before the class day assigned for your
topic.
c. After the class discussion of your paper,
read the students' critiques of your paper, as well as the instructor's
comments. Submit a revision of the paper for evaluation within ONE WEEK.
II. DIRECTIONS FOR WRITING CRITIQUES OF
SEMINAR PAPER
1. In preparation for each seminar session,
each student will:
a. read the assigned readings in the course text,
b. write a 250 to 500 word critique of the paper on the
assigned topic.
c. send the critique to the author and the instructor
via e-mail at least two hours before the class discussion of the paper
The purpose of the critique is to evaluate
the paper in terms of its effective response to the seminar question and its
effective use of writing techniques and language. In critiquing the paper, be
positive, but also be specific about things you believe need revision.
2. Respond to the following aspects of the
paper:
a. its thesis (does it state a clear and unified point;
does the point address the issue?)
b. its quality of support (is the evidence clear and
considered? are facts accurate?)
c. its quality of writing (is the paper well-organized
and coherent? are both word choice and
sentence structure effective? is the
paper free of grammatical or mechanical errors?)
III. DIRECTIONS FOR THE SEMINAR DISCUSSION
The seminar discussion has two purposes:
1. to discuss the content of the paper--its
thesis, its supporting points, its development of the argument--in order to
provide the writer with feedback and suggestions for revising the paper;
2. to discuss issues
and texts related to the seminar topic which may or may not have been treated
by the paper